2021.11.07

Fifty years ago there were more than 50 glassworks in the region Småland, aptly labelled the “Swedish Kingdom of Crystal”. The rich heritage stems back to the 18th century and created a thriving industry beyond the Swedish boarders. Today there are only a few of the old glassworks left, but the industry is seeing a revival of a new generation of glass designers combining old traditions with new techniques and exciting forms. Creating a dramatic, yet subtle backdrop inspired by 19th century still life imagery, stylist Sophia Bratt and photographer Kristofer Johnsson pay hommage to the long Swedish tradition in a still-life exclusively produced for The New Era.

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2021.10.19

Do we still needed independent platforms? What role does a printed magazine fill in todays fast paced world? Has the growing reliance on social media as a marketing tool sparked a backlash? The exhibition Printed Matters, curated by The New Era Magazine, is a celebration of the printed magazine and the dedication it takes to make it come alive. It’s also a comment on the importance of the independent platform investing time and effort to publish work by established and new talent to make it available for a wider audience. 

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2021.08.26

Levi Di Marco is Head of Brand & Communication at Swedish producer Hem. We asked him to share his media diet – and the design topics occupying him right now.

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2021.08.24

What does an object do to us, to a room, to the conversations we are having? What does it say about the community where it was made? In issue four we look at the things we surround ourselves with and what they mean to us. We visit the architect Petra Gipp on her island abode and spend some time at home with brand director Petrus Palmer, who uses his family home as a testing ground for new products and furniture. We discuss the concept of home with the renowned artist Miriam Bäckström and the architect Eero Koivisto, of architecture and design practice Claesson Koivisto Rune, who shares his favourite objects with us. In his home a bowl is never just a bowl, it is a bowl with a story. “When you cease to see something, it’s time to replace it with something else,” Koivisto says. Elsewhere in the issue, we visit a home resembling a spaceship, and one built to celebrate wood. We highlight some great initiatives and some really good pieces of furniture. “I’ve never fully understood how people can be so attached to new furniture”, says design writer Hugo McDonald when asked about what he is drawn to. “It takes several decades of heavy bottoms to shape a good chair into something irresistibly comfortable. There can be no greater proof of furniture’s quality than time.”

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2021.08.24

What does an object do to us, to a room, to the conversations we are having? What does it say about the community where it was made? In issue four we look at the things we surround ourselves with and what they mean to us. We visit the architect Petra Gipp on her island abode and spend some time at home with brand director Petrus Palmer, who uses his family home as a testing ground for new products and furniture. We discuss the concept of home with the renowned artist Miriam Bäckström and the architect Eero Koivisto, of architecture and design practice Claesson Koivisto Rune, who shares his favourite objects with us. In his home a bowl is never just a bowl, it is a bowl with a story. “When you cease to see something, it’s time to replace it with something else,” Koivisto says. Elsewhere in the issue, we visit a home resembling a spaceship, and one built to celebrate wood. We highlight some great initiatives and some really good pieces of furniture. “I’ve never fully understood how people can be so attached to new furniture”, says design writer Hugo McDonald when asked about what he is drawn to. “It takes several decades of heavy bottoms to shape a good chair into something irresistibly comfortable. There can be no greater proof of furniture’s quality than time.”

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